Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Arab or Arabic people and life. Orientalism oil paintings 555

ID: 47809

unknow artist Arab or Arabic people and life. Orientalism oil paintings 555
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unknow artist Arab or Arabic people and life. Orientalism oil paintings 555


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unknow artist

  Related Paintings of unknow artist :. | Dinastia imperial, monarquia bewitched | European city landscape, street landsacpe, construction, frontstore, building and architecture.073 | Still life floral, all kinds of reality flowers oil painting 19 | Kapten Alexander Gordon Laing genomkorsade Sahara 1825-26 fran Tripolis till Timbuktu,dar han hoppades att kunna knyta handels-forbindelser | Still life floral, all kinds of reality flowers oil painting 251 |
Related Artists:
Peto, John Frederick
American, 1854-1907 American painter. He trained at the Pennsylvania Academy of Fine Arts (1877-8), Philadelphia, where he became a friend of William Michael Harnett whose work was a dominant influence on his oeuvre. Peto maintained a studio in Philadelphia, exhibiting at the Academy from 1879 to 1887; he earned a living through occasional work as a photographer, sculptor and painter. After moving to Island Heights, NJ, in 1889,
Francois Pascal Simon Gerard
François Pascal Simon, Baron Gerard (12 March 1770 - 11 January 1837) was a French painter born in Rome, where his father occupied a post in the house of the French ambassador. His mother was Italian. As a baron of the Empire he is sometimes referred to as Baron Gerard.
Peale, James
American, 1749-1831 Painter, brother of Charles Willson Peale. Charles encouraged him to become a painter; James also worked as a frame-maker for his brother until the Revolution, in which he served as a lieutenant. From 1779 James shared Charles's practice, specializing in miniatures. His early work, occasionally confused with Charles's, shows his brother's influence. After 1794, his style became clearly his own: more delicate with subtle colour harmonies, softened outlines and free handling; it may be distinguished by a faint violet tone in the shadows and the inconspicuous signature 'IP'. His miniatures of male subjects are frequently superior to his portraits of women, for example Benjamin Harwood (1799; Baltimore, Mus. & Lib. MD Hist.), but his meticulous attention to costume and his success in imparting colour and sparkle to skin and eyes,






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